A final word about Siem Reap’s famous Pub Street and its slightly demented brother, Pub Alley, especially since we’d spent so much down-time there. The place looks as if someone decided to compress a whole town’s worth of entertainment down to less that a 100 metre road and cram in as many restaurants, bars and ancillary entertainment as possible. Our evenings would usually see us at the Anchor What? Pub underneath the same rock speakers drinking $0.75 draft beer and $2 margaritas (although that was the most expensive place on the strip) and watching a veritable united nations go by:
- street kids rattling off their knowledge of England to get you to buy bootleg Angkor archaeology books (I managed to knock one down from $10 to $5 so he went hungry that night!);
- tuk tuk drivers offering to take you places (“I’m already here!”);
- limbless bands playing xylophones and zithers on behalf of the landmine victims appeal (I bought one of their albums for $10 -- there are an awful lot of limbless people on the streets of Cambodia: a constant reminder of their history);
- wiry magicians and acrobats frenetically throwing themselves about in front of disinterested café dwellers;
- self-conscious tourists dangling their white legs in backlit aquariums to get their feet nibbled by fish (there are a lot of these aquariums, as I’ve mentioned before, but the fish never seem too bothered about doing what they’re supposed to be doing);
- family run Cambodian restaurants selling locally-made curries, lok lak and amok dishes (as well as pizza restaurants, snake BBQs, crocodile burger shops, Indian restaurants and the usual tourist western menu junk);
- Internet cafes that cost $0.50 an hour but where the mouse has a mind of its own, the screen’s too dark, the keyboard’s had all its letters erased from years of use, or, in one memorable case, where the ‘g’ and ‘h’ keys didn’t work (which explains my bad spelling, Glen);
- prowling groups of minimally dressed western girls and bearded hippy blokes who look as if they stayed on after the Vietnam war.
Getting fairly drunk on our last night, we realised that this country had gotten well and truly under our skins. The people, despite or because of their history, at once appear friendly, inquisitive, innocent and full of fun. They are all desperate to learn English, (“Tourism better than war”, said one guide), and find us as exotic as we see them. During our last tour of the ruins we stopped for a cold drink. Besieged from all sides by women and children demanding we stop and buy their water/coconut/musical instrument, we sat down under a tent on some plastic chairs. Smart pre-teen girl plonks herself down beside me:
“Where you from?”, she demands.
“Where you think?”, I say tetchily, trying to work out from my guide book what temple I’m at.
“Germany!”
I sigh theatrically; “What language are you speaking to me?”
“Cambodian!” “No.” “English?” “Yes. So where am I from?” “England!” “Yes!”, I declare loudly, thinking that would be the end of it. Not a chance.
“How many children you have?”, she wants to know.
“None!”
She looks perplexed. This is common. The Cambodians cannot understand why people do not have, or even want, children. “Why not?”, she demands, trying to get at the root of the problem.
“Don’t like children. They loud! They talk too much”, making yakking hand signals, hoping she’d get the hint. “They cost too much money!”.
She frowns even more at this heresy and looks at Linda. “This your wife?”. By this time we have a huge audience, three or four more young kids are propping themselves chin high at our table and the older women have gathered around.
“No!”, I say loudly, “I never see this woman before in my life!”, and for good measure, point dramatically at Linda and shout, “Who are you woman, and why are you following me around?”.
John, our tuk tuk driver, finds this hilarious. Linda is telling me to behave. The older women are smiling knowingly, which I take to be good sign. This is good street theatre.
Smart kid frowns even more, if that were possible. “You very bad man!”, she concludes.
“Yup!”, I agree happily and offer to pay for the three Fantas for which the older women happily overcharge me. Street theatre costs, even if you are on centre stage.
We leave to photograph more ruins with the words “Goodbye bad man” calling distantly from the tent.
Sorry about the length of this post but it’s the best way I can think of describing the people of this country. As they say, you really had to be there . . .